/ August 30, 2022 | Forensic Musicologist
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It sure got people worked up, but it was mostly nonsense. In the few days immediately following the July 29th release of “Renaissance” (Beyoncé’s first album since her 2016 Grammy-winning “Lemonade”) the main story was that it contained a sample from a Kelis track and without permission. Neither of those was ever quite true. There …

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